Kwame Dadzie: Bash King Paluta but don’t crush him

Criticise King Paluta, But Don’t Destroy Him

Ghanaian rapper King Paluta has come under fire after a video emerged showing him lashing out at a female audience member during the All White Boat Party in London on June 28, 2025. The clip, now viral, captures Paluta hurling harsh insults at a fan he claimed was reacting negatively during his performance.

The backlash has been swift. Music fans, social media users, and entertainment personalities have condemned the incident, questioning the rapper’s professionalism and composure. Some have gone as far as calling him “foolish,” others have issued curses, predicting he will return to being an underground artiste or fade into irrelevance.

There is no doubt that King Paluta’s outburst was disappointing. As an artist whose influence is growing — bolstered by hits like Yahitte, Aseda, and Makoma, and a 2025 Artiste of the Year nomination — his image must reflect maturity, discipline, and restraint. Public figures, especially musicians with growing international exposure, are held to higher standards. Paluta fell short, and he must be held accountable.

But while accountability is necessary, the level of venom in the criticism is alarming. Rather than offering constructive feedback, some reactions have veered into deeply personal territory. The insults, curses, and outright condemnation are not only unprofessional — they are emotionally reckless.

Yes, criticism is important. Artists must be called out when they act out of line. But the goal of criticism should be reform, not ruin. The moment we start tearing someone down without offering a path to redemption, we move from holding them accountable to breaking them entirely.

In response to the backlash, Paluta has released a new track featuring subliminal shots at his critics. While this may appeal to hardcore fans or serve as a way to release bottled-up emotions, it’s unlikely to help him long-term. His continued silence and refusal to apologise is also damaging his image. In moments like these, humility speaks louder than music. A simple, sincere apology could rebuild public trust and mend industry relationships. Unfortunately, reports suggest even his own team is struggling to get through to him.

If this combative posture continues, it could do lasting harm. Brands may back off, event organisers may avoid booking him, and fans — the true foundation of every successful artiste — could drift away. Worse still, attention may shift from his talent to his temper. No one wants to be remembered for controversy over creativity.

Some speculate that Paluta may be trying to emulate Shatta Wale’s bold and rebellious brand, but that path comes with its own cost — one not every artiste is prepared for. Shatta Wale built his brand with a unique blend of controversy, charisma, and consistency. For Paluta, it’s unclear whether he’s prepared for that kind of long-term pressure and public scrutiny.

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Still, all is not lost. King Paluta can recover. The first step is owning up to the mistake — publicly and honestly. An apology is not a sign of weakness; it is a show of strength. It shows emotional intelligence, growth, and respect for the very fans who made his rise possible.

To those in the media and entertainment space: we all make mistakes, and we must be careful not to use our platforms to destroy the very talents we help build. Call out wrongdoings, yes — but let it be to correct, not crush.

In an industry that already lacks strong support structures, vilifying an artist without guiding them back does more harm than good. Ghana’s creative space needs its stars to shine — not be extinguished by unchecked outrage.

King Paluta erred, and he must own it. But in calling him out, let’s do so with a mindset to rebuild, not bury. That’s how we grow an industry — together.

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